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Seeking evidence of copses in the American context poses several problems. 1, Anonymous, “View of the Vinery at Blithewood,” in A. Downing (1849) discussed the design of copses in terms of their layout with walks to create pleasant spaces for walking.įig. Garden treatise writers, however, from the Englishman John Worlidge (1669) to American A.
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Lexicographers, including Ephraim Chambers (1741–43), Samuel Johnson (1755), and Noah Webster (1828), focused only on the material uses of wood and did not acknowledge the use of copses in gardens. Nicol drew further distinctions between natural (or self-sown) copses and deliberately planted artificial ones. According to Walter Nicol (1812), this practice of trimming trees and shrubs also distinguished a copse from a wood, since the former included trees and shrubs that were never permitted to grow to “any considerable size.” The latter, by contrast, contained towering trees (see also Charles Marshall and Humphry Repton ).
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Copses were thinned regularly by removing branches and limbs, which were then used for purposes other than ornamentation by the landowner. A copse, however, was sometimes distinguished from these other features by virtue of its association with husbandry. A copse (or coppice)-a grouping of trees and shrubs-was akin to a clump or thicket in the choice and the arrangement of vegetation.